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Throughout his artistic career, Håfström has remained
open to trying new forms of artistic expression. These divergences
are followed by the continual return to the memory of the place
of childhood, which lives on in a far from uncomplicated manner
in Jan Håfström and his artistic work. He returns to
this world of Sunday School and Jules Verne to meet the unknown
embodied in Tarzans jungle or within the Phantom or Robinson
Crusoe. When he comes back he brings an intellectual analysis of
the colonial exoticism as distinctive portrayals of the other
world. Håfström uses language, the analytical observations,
alongside an intuitive approach.
With this exhibition at the Baltic Art Center, Jan Håfström
closes the circle. The exhibition includes a large number of his
earliest works, childrens drawings in comic book format. The
Phantom is the obvious centerpiece. This good hero is deputy to
the Sunday School Jesus or to the father figure who is continuously
en route to new adventures. But when the Phantom returns now he
is more complicated and multifaceted. A good person can conceal
an evil person, which is the case with Walker. He conceals Joseph
Conrads Kurtz, colonialism and our western attitude.
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